CG Supervisor on a confidential project (under NDA).

Worked closely with the director, shaping staging and finding visual ways to bring his ideas to the screen.

Leading the team (15 members) on all CG aspects: from modeling to animation and integration in Unity.

Internalized the full Motion Capture pipeline — body, fingers, and facial.

Supervised the entire chain: from Mocap shoots and on-set sessions to data prep and integration in Unity.

Recruiting team members, client meetings.

Versailles: Les Jardins Disparus VR by Stéphane Landowski

Louvre Abu Dhabi VR by Andrés Jarach

Previsualization and tech-viz; Maya and Unreal Engine.

Live client sessions, on-set sessions.

Emilia Pérez by Jacques Audiard ★ Cannes Jury Prize · 7 Césars incl. Best VFX · 13 Oscar nominations, 2 wins

Dracula: A Love Tale by Luc Besson

C'est le monde à l'envers by Nicolas Vanier

The Nun II by Michael Chaves

In charge of re-writing the script.

Creating all the characters and their backstories, building backgrounds with teams of concept artists / interns.

Client meetings, team meetings. Leader of the Art Team (8–11 members).

Life Beyond: NFT Trailer — Darewise, by Ersan Musa

Setting up a virtual production pipeline: Blender and Unreal Engine, customizing MetaHuman rig.

Camera and character animation, lighting; AE, Premiere Pro.

IGA: "The Trophy" & "Olympic Games" by B. Bey & M-J. Dallaire

Neom: "Mountains" by Ian Ruschel

Assos — commercial by We Are From LA

Camera and character animation, lighting; MASH, FX, AE. Tech-viz.

Wonka — Warner Bros., by Paul King

Slumberland — Netflix, by Francis Lawrence

The School for Good and Evil — Netflix, by Paul Feig

Moon Knight — Marvel Studios / Disney+, by Mohamed Diab